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Clark College Celebrates An Award-Winning Season


Regional audiences enjoyed three outstanding shows at Clark College during the 2006-2007 season.  Those productions -- Born Yesterday, The Will Rogers Follies and You Can't Take It With You -- join an impressive list of shows representing nearly 30 years of theatrical excellence.

BORN YESTERDAY
by Garson Kanin
Directed by Jay Mortensen

Paul Verrell and Billie Dawn meet in a beautiful penthouse in Washington, DC.
   

Part romantic comedy, part political satire, Born Yesterday is a razor-sharp comedy that combines a Pygmalion story with high stakes politics.
  
Reporter Paul Verrell kisses Billie Dawn in "Born Yesterday."Set in the nation’s capital in the 1940s, Harry Brock, a self-made millionaire, gets more than he bargained for when he hires Paul Verrell, an idealistic reporter, to educate his beautiful but simple mistress, Billie Dawn.

A Broadway hit that was successfully adapted into an Oscar winning film starring Judy Holliday and William Holden, Born Yesterday is the timeless tale of an everywoman’s triumph.

Directed by Jay Mortensen, Born Yesterday delighted audiences at Clark College's Decker Theatre. 

THE WILL ROGERS FOLLIES:  A LIFE IN REVUE
Book by Peter Stone.  Music by Cy Coleman. 
Music and Lyrics by Betty Comden and Adolph Green
Directed by Tami Gray-Stipe

Humorist Will Rogers was famous for saying, "I never met a man I didn't like."   Anyone who has ever seen The Will Rogers Follies" would agree that there has never been a man -- or woman -- who did not like The Will Rogers Follies

Will Rogers and "Ziegfeld's Favorite"

    
Peter Stone, who wrote the book for The Will Rogers Follies, noted, "Will Rogers was a unique American who, though he died [over 70] years ago, remains a beloved figure remembered for his humor, his wisdom, and his just plain common sense. At the heart of his populist philosophy was his most famous statement: 'I never met a man I didn't like.' Rogers became the biggest, most popular, and highest paid star of every existing medium of his time--stage, screen, radio, newspapers, and public appearances. In fact, it is no exaggeration to say that he was the greatest star this country has ever produced."
     

      

Will Rogers meets Betty Blake

Subtitled A Life In Revue and told in the style of the Ziegfeld Follies, The Will Rogers Follies won numerous Tony Awards.  With humor, charm, beautiful showgirls and great song and dance, The Will Rogers Follies is the story of a man who espouses respect and confidence in the goodness of his fellow man.

 

YOU CAN'T TAKE IT WITH YOU
by George S. Kaufman
Directed by Patricia Rohrbach

You Can't Take It With You performance at Clark College

A Pulitzer Prize winning play that became an Academy Award winning film, You Can't Take It With You is a screwball comedy about the story of the Sycamore household, presided over by Grandpa Vanderhof, a former businessman who has turned his back on commerce to enjoy life.  At the Sycamores, everyone does what he or she pleases.   The one normal member of the household is Alice Sycamore, who is in love with wealthy Tony Kirby.

Two actors perform in "You  Can't Take It With You"Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores for dinner, the event is a disaster.  But Grandpa Vanderhof teaches everyone a vital lesson about life when he observes, "You’ve got all the money you need. You can’t take it with you. . . . Don’t you think there ought to be something more....We haven’t got too much time, you know -- any of us.” 

Scene from "You Can't Take It With You"One admirer of the show has noted, "It's set in the Depression era, but one of the reasons this type of play ages so well is because the situation of being a human is always the same.  This play has a lot of chatter about paying taxes, and the frothy, slightly absurd observations are pretty classic....It's the worlds that clash in 'You Can't Take It with You'.  The human beings both worlds embody are the same. It shows that the broader our tolerance, the larger our circle of friends can be."

 

An aspiring dancer performa

The film version of You Can't Take It With You won the 1938 Academy Award for Best Picture and has delighted audiences for generations. 

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