Eric Elliott's still life paintings "stem from an interest in the grey area where one object ends and another begins." He's "interested in the air between objects, in the ability to compress perspective; bringing the ground up or pushing the foreground back." (Suzanne Beal, Art Ltd. Sept.  2009)

James Florschutz's "sculpture has always been a way for (him) to overlay order on his environment and to make sense of a seemingly chaotic world around  (him). Often (his) work uses the grid as a matrix to express (his) thoughts and feelings." (artist's statement)

Marie Koetje's "paintings are loosely based on imagined scenarios of ordinary spaces integrated with, or invaded by, an aggregation of signals, devices, gadgets, and streams of information. (Koetje) usually begins each piece by constructing a rational pictorial space which serves as a backdrop for these otherwise immaterial and intangible components to take shape and become visible..." (artist's statement)

Joseph Park's paintings "explore the realm between reality and fiction";  between what has been observed and what has been reimagined with his "prismatic" effects. In Park's painting's time and space are at some junctures frozen and at others they flutter wildly. (Joey Veltkamp, New American Painting Biog, July 8, 2011)